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Adobe's latest Photoshop numerically would have been 8, but
has instead been called "cs" short for Creative Suite. While
still the traditional king of the image editing products and,
of course, fully functional as a stand alone product, it is
also a component of two product configuration suites. I am not
going to be discussing these suites. I am going to review
Photoshop cs as I have done former editions of Photoshop as a
stand alone product from the perspective of the home
professional and semiprofessional user who is not part
necessarily of a production or design team. After you read the
review, or even before, you might want to download the tryout
version from the Adobe website so as to see for yourself
how these new additions to Photoshop function.
The system requirements for Windows are:
- Intel® Pentium® III or 4 processor
- Microsoft® Windows® 2000 with Service Pack 3 or Windows
XP
- 192MB of RAM (256MB recommended)
- 280MB of available hard-disk space
- Color monitor with 16-bit color or greater video card
- 1,024x768 or greater monitor resolution
- CD-ROM drive
- Internet or phone connection required for product
activation
The requirements for the Macintosh are as follows:
- PowerPC® G3, G4, or G5 processor
- Mac OS X v.10.2 through v.10.3
- 192MB of RAM (256MB recommended)
- 320MB of available hard-disk space
- Color monitor with 16-bit color or greater video card
- 1,024x768 or greater monitor resolution
- CD-ROM drive
In this review, I will discuss what is new in this version,
some of the other changes that have been made, and the ease of
use of the new features. Photoshop is now bigger than ever.
Even its file size output can be bigger. Photoshop cs is
capable of producing files that are 300,000 pixels by 300,000
pixels and up to 56 channels per file.
The adobe manual has a What's New in Photoshop cs
section. It is broken down into subsections such as Photoshop
cs for all users, for Photographers, etc. I will follow their
outline in describing what is new and comment upon it as I go
along.
Photoshop cs has some enhanced additions from Photoshop 7
such as the beefed up file browser and some new additions such
as an easily created web photo gallery.
The enhanced file browser can be accessed through
a button on the top right of the tool bar. In the screen
capture of the file browser below, you will notice many of its
new capabilities. The file browser can search for files using
editable metadata and can also be used to edit metadata.
Notice the tab on the bottom left. There are good articles on
metadata
on the Adobe website

The help menu has been changed so it is
customizable. In addition, Adobe still left it so that one
could search the data base as well as find through specific
categories the help needed.

Many more functions can be automated in
Photoshop cs than could be in Photoshop 7. PDF slide presentations are
a snap to create with many variables being able to be added
such as different transitions between the slides. Also, web
photo galleries can be created automatically. Like the PDF
presentations, they, too, can be customized in many
ways.
| Automate Commands |
PDF Presentation Slide Show |
Web Photo Gallery |
 |
 |
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These are only some
of the new additions that Adobe has listed under the What's
New for General Users.
There is a wide range of new material
under What's New for Photogrpahers from in putting raw
data from digital cameras, to some new adjustments such as
Photographic filters and a shadow/
highlight enhancer.
There is a list of supported digital
cameras on the Adobe website. Since my older camera, an
Olympus D600-L, is not supported, I cannot comment on the
features. Instead, I will refer you to the more in-depth
document on the Adobe website.
| Supported Cameras |
|
Canon EOS-1D EOS-1Ds EOS-10D EOS-D30 EOS-D60 EOS 300D (Digital Rebel/Kiss
Digital) PowerShot
600 PowerShot
A5 PowerShot
A50 PowerShot
S30 PowerShot
S40 PowerShot
S45 PowerShot
S50 PowerShot
G1 PowerShot
G2 PowerShot
G3 PowerShot
G5 PowerShot
Pro70 PowerShot Pro90
IS
Fujifilm
FinePix S2 Pro
Leaf Valeo
6 Valeo 11 |
Konica Minolta
DiMAGE
A1 DiMAGE 5 DiMAGE 7 DiMAGE 7i DiMAGE 7Hi
Nikon D1 D1H D1X D100 Coolpix 5700 Coolpix 5000 — with firmware version
1.7
Olympus
E-10 E-20 C-5050
Zoom |
The Photographic filters enabled the
user to manipulate the image as if he or she were actually
using a filter. A screen capture of the palette is pictured
below along with the screen capture of the shadow/highlight
enhancer which is found under adjustments.
| Photo Filter |
Shadow/Highlight Adjustment |
 |
 |
Notice how the jaguar to the left's color remains almost
the same while the color of the one on the right is noticeably
lightened. This was accomplished by sliding the shadow slider.
Similar effects to the adjustments created by the
shadow/highlight enhancer can be created by using the curves
and levels. However, using the latter two would necessitate
more steps.
| Before |
After |
 |
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Other adjustments have been enhanced in
Photoshop cs. Replace color has been enhanced and a match
color command has been added. Notice the new eye droppers in
the Replace Color palette. One can change the color sample
from the image as well as with the sliders as previously.
| Replace Color |
Match Color |
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 |
Match color can be used to neutralize a cast to an image.
When the Neutralize Box is checked, the image cast is
removed. Of course, as can be seen, the Matching Color
Command can also perform more functions.
| Before |
After |
 |
 |
Match color can also be used to match the color of one
photograph with another. The before shot of the egret was used
as the source to change the color of a different egret shot.
Notice the three different pictures below.
| Source |
Egret Before |
Egret After |
 |
 |
 |
I did a straight color match using the egret at the left as
the source. I did not change any of the dials. Notice how the
background and beak of the egret image on the right match the
one on the left. However, also notice how the feathers of the
bird on the right are now tinged with pink. Through adjustment
that could have been neutralized.
Little has been added to the traditional Adobe set of
filters. However, Adobe has made some major changes in how
they are set up and what can be accomplished with them. The information on the traditional Photoshop
filters has been expanded to show all the other filters in the
particular category. While this is useful, it is very slow to
open to preview mode on large files (over 300MB on a P4 Win
2000 machine with 1GB RAM). On traditionally smaller files
such as those of about 25 MB, or under, the filters usually
opened to preview mode very quickly; however, on an 8MB file I
had a number of instances where the preview mode also opened
slowly. The effects of the filters, though, was immediate.
There is also a Filter Gallery so that the effects of multiple
filters can be viewed. However, I found the directions for
stacking filters a little confusing until I realized that the
new layer icon at the bottom right of the palette next to the
trash can was the key to adding new filters.
| Filter Gallery |
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| Plastic Wrap Filter |
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| Plastic Wrap Filter Photoshop 7 |
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As stated previously, few new native
filters have been added to Photoshop cs, however, a new lens
blur filter has been added I did a few tests using this filter and changing
parameters. I did not see a great difference. However, I
believe it possible to get a special effect using it. It
certainly gives a lot more options than does a straight
Gaussian blur Photoshop filter.
| Jungle Original |
Jungle Gaussian 1.2 |
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| |
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| Lens Opening Triangle |
Lens Opening Octagon |
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When one resamples an image (changes
the size as well as the number of pixels) Photoshop cs has
added two new methods. For making pictures smaller Bicubic
with sharpening and for making images larger Bicubic
with smoothing. I resampled an image using both bicubic
and bicubic with sharpening. When it was blown up 1200%, one
could see that the pixels were slightly sharper in the one
with sharpening. However, for detailed work, I will still do
it manually so I can control the level of sharpening. When I
created all the screen captures and had to resample the
images, the bicubic with sharpening did not sharpen the new
smaller image enough and I had to use an unsharp mask in
addition. However, below are pictured the two images of a
hawk's eye blown up 1200%. On the web image, the difference is
not visible. It was very slightly more visible prior to
inserting it in the document.
| Bicubic |
Bicubic with Sharpening |
 |
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Another new command to streamline work
is the Crop and Straighten command. Once again, I found
that I preferred to do it by hand as I have done it in
previous versions of Photoshop. This command created many
images from one image as can be seen in the images
below.
| Original Image |
Generated Images |
 |
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Histograms can now be used to monitor
work as an image progresses by means of the histogram palette.
Thus, one can continually monitor one's progress using
different criteria such as luminosity, color, etc.
| Histogram with Colors as the Chosen
Setting |
 |
Another feature of the Automate Command, described
earlier in the review, helps create Panoramas. It does this
through the Photomerge Command Before this addition,
one had to use another program or do it by hand. One can do it
automatically or just set it up and do the final composition
manually.
| Picture #1 |
Picture # 2 |
Automatic Panorama |
 |
 |
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| Manually Finished Panorama
using Photomerge Command |
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Finally all core Photoshop features are
available to 16-bit images giving a new depth of color to an
image. Of course, with 16-bit images file sizes will be
larger.
The creation of Layering Comps can be a big help to
graphic designers and to others who want to make a number of
changes in an image, but don't want to save a number of
images. In the What's New for Graphic Designer,
the creation of Layering Comps is discussed. Basically
in the Layering Comp palette, each new snapshot corresponds to
a change in the image. See the table below for examples.
| Change 1 |
Change 2 |
Change 3 |
 |
 |
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A feature I have always wanted was to be able to write text
on a path from within Photoshop. Finally it is here. Although
the directions were not crystal clear, it did not take long to
figure it out. One can do it with shapes, and various path
making tools.

Adobe has beefed up the video capabilities of
Photoshop cs. These changes are aimed at removing the
"guesswork from designing for DVD, video and film." It also is
aimed at increasing the integration with software such as
Adobe Premiere and After Effects.
Adobe has included the ability to work with
non-square pixel documents, added an Export Layers to
Files Command, and more which I am not familiar with since
I do very little work with animation outside of specific
programs. Below are some of the menus showing the new
features. Notice in Pixel Aspect Ratio, the setting
Square
|
Video Format |
Pixel Aspect Ratio |
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ImageReady has also been augmented. But in this
review, I am concentrating on Photoshop without an emphasis on
web design. For more in-depth information on the new features
of ImageReady cs see Adobes Overview
document toward the end.
However, there is one function in ImageReadycs
that I want to demonstrate. That is the Export to Layers
Command. I found this was an interesting command because
it could work in various ways. Notice that when the background
is included in the export, the composition of each layer
includes the element on the individual layer + the background.
While ImageReady states that its file size limit is 40MB, I
performed this task using a 72 MB file and it worked
perfectly.
| Layers of Jaguars and Hand
Image |
Export Layer's Menu |
 |
 |
First notice the layer set up for the Jaguar
and Hand Image above. Then notice the background choice
circled in red and how it applies to the images below the
"menu" images.
| Original |
Without Background Selection |
With Background Selection |
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 |
 |
 |
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In addition to working with
the program and manual, when I review a program, I usually
browse in the appropriate forums, inthis case the Photoshop
forum on the adobe site. The link is to the forum page.
One needs, then to choose the appropriate program and
operating system. When I browse on a forum, I look for issues
that are repeated on a frequent basis. I found one in
particular which was the size of the file in Photoshop cs
compared to other versions. While it seemed that technicians
from Adobe tried to explain the reason for this, the
explanations seemed hard to follow. I am not saying they are
incorrect; but that they did not explain it clearly enough for
me to understand it. I opened a large file in both Photoshop 7
and cs. In the former it was 316 MB while in the latter it was
370 MB. I did not change any file attributes. However, both
opened very rapidly on my P4 with 1 GB ram under win 2000.
One note that is sort of out
of context, but to me was important. I had my brushes' presets
setup as I liked in Photoshop 7 and wanted to bring them over
to Photoshop cs. They came over perfectly.
Another place I look for information is in the readme file.
When I looked, I was dismayed to find out that thumbnail icons
for psd files were no longer supported through operating
system folder windows. If in a window one has View set
for large Icons, the image will no longer be
available. I used this feature a lot. However, if one has
View set for Thumbnails, the image is still
visible if created in a Photoshop version prior to Photoshop
cs.
| Win System with Photoshop 7 |
Win System with Photoshop cs |
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For the home user, the choice whether to upgrade is yours
(obviously!) To me Photoshop 7 was one I considered a must if
possible. While Photoshop cs has nice enhancements, and again,
I am not speaking about designers who work in teams or
necessarily need a "souped up work-flow", I consider the
upgrade to be one I would balance with other needs. This is
not to say this upgrade is not good. It works excellently and
the additions work well. If you have a digital camera on the
list, then this upgrade has much more drawing power. Mine is
not on the list, and most of the updates I could easily live
without even though I enjoyed using them and will use them in
the future. |